A Franco-Flemish Selection (2013)

Concert 1: Saturday 23 February at 8.00 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 1

The major work of this program, new to our repertoire, is Josquin’s Missa Malheur me bat, regarded as one of the composer’s most polished settings of the Mass. It was also highly regarded by his contemporaries and subsequent generations, publications and manuscript copies occurring over a period of about 100 years, a remarkably long life for a work at this time. Also new to the repertoire is Gombert’s Magnificat secundi toni. The remaining works have been perennial favourites, though we have not performed Martini’s extraordinary Magnificat tertii toni in the current millennium.

PROGRAM
Johannes Martini – Magnificat tertii toni
Johannes Ghiselin – Regina caeli
Josquin Desprez – Missa Malheur me bat
Nicolas Gombert – Magnificat secundi toni
Jean Richafort – Philomena, praevia
Clemens non Papa – Fremuit spiritu Jesus
Orlandus Lassus – Nunc dimittis primi toni

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Maria Pisani
Claerwen Jones
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Tim van Nooten
Vaughan McAlley
Stuart Tennant
Bass
Thomas Bland
Andrew Murray
Chris Potter
Mike Ormerod

Christmas Carols in the Garden (2012)

Saturday 15 December at 5 pm
Church of the Resurrection, Honour Avenue, Macedon
(relocated from Duneira, Mt Macedon, due to weather)

Melbourne’s celebrated chamber choir Ensemble Gombert returns with a new program of Christmas carols from many lands. Conductor John O’Donnell has accepted the challenge to find yet more carols about flowers, trees and gardens, to be sung among a selection of the standard favourites.

PROGRAM

Assorted Advent and Christmas carols

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Lieschke
Claerwen Jones
Michelle Clark
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Megan Nelson
Tenor
Peter Campbell
Tim van Nooten
Vaughan McAlley
Stuart Tennant 
Bass
Kieran Rowe
Andrew Murray
Thomas Bland
Chris Potter

Christmas to Candlemas: Iberia (2012)

Concert 5: Saturday 8 December at 8.00 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 5

The Portuguese composer Duarte Lobo is a newcomer to Ensemble Gombert’s repertoire. His Christmas responsories were published in his Opuscula of 1602. The remainder of this program is Spanish, featuring two of the three greatest Spanish composers of the 16th century — the third, Victoria, having received a lot of our attention both before and during 2011, the quattrocentenary of his death. We first performed Morales’ Missa Quaeramus cum pastoribus in 2006. A remarkably felicitous work, it returns by popular request.

PROGRAM
Cristóbal de Morales Pastores, dicite, quidnam vidistis?
Cristóbal de Morales O magnum mysterium
Cristóbal de Morales Cum natus esset Jesus
Francisco Guerrero Pastores loquebantur
Duarte Lobo Natalitiae Noctis Responsoria
Duarte Lobo Hodie nobus caelorum rex
Duarte Lobo Hodie nobis de caelo
Duarte Lobo Quem vidistis pastores?
Duarte Lobo O magnum mysterium
Duarte Lobo Beata Dei genitrix
Duarte Lobo Sancta et immaculata
Duarte Lobo Beata viscera
Duarte Lobo Verbum caro factus est
Cristóbal de Morales Missa Quaeramus cum pastoribus

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Maria Pisani
Claerwen Jones
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim van Nooten
Vaughan McAlley
Stuart Tennant
Bass
Kieran Rowe
Andrew Murray
Chris Potter
Mike Ormerod
REVIEW

Wednesday, 12 December 2012, The Age [Melbourne], n.p.
All-comers drawn to season celebrations with Iberian twist
Clive O’Connell

SOMETHING of a contrast in city styles, the Australian Brandenburg Choir and Orchestra from Sydney offered a program with something for everyone on Saturday evening, while Melbourne’s own Ensemble Gombert presented its annual Christmas recital with a focus on Renaissance Spain and Portugal.

For the first time, Paul Dyer brought his all-comers’ seasonal celebration here, using a small group of instrumentalists to support the 30-plus Brandenburg choir. The Brandenburgers centred on variety, their stream of vocal and instrumental groupings in constant flux with just enough solo exposure for Matthew Manchester’s subtle cornetto and the unexpectedly reticent saxophones of Christina Leonard, the complex supported by deft percussion from Jess Ciampa and the lutes of Tommie Andersson and Samantha Cohen.

Leading his singers in a focused 16th century Iberian retrospective, John O’Donnell began with music by Morales: the Mass Quaeramus cum pastoribus interleaved by three motets, including a lengthy retelling of the Magi’s journey to and from Bethlehem. The mass calls for two bass lines and on this night the dynamic output came across as uneven, one individual voice disturbingly prominent towards the end of the night in motets by Duarte Lobo and Guerrero.

The Brandenburgers enjoyed something like relieved acclaim in their later popular items – Hark! The Herald Angels Sing in a barbershop arrangement, the soggy sentiment of The Little Drummer Boy headed by a trio of fresh-voiced sopranos, and a rousingly rapid O Come all ye Faithful. But the most moving passage of play came in an Italian song based on La Carpinese, more suited to Good Friday than this time of year.

With the Gomberts’ Christmas observance, the more numerous the lines, the more satisfying the accomplishment, reaching a particularly high mark during those segments in the lush Lobo Responsories that call for all eight lines to operate simultaneously. This proved most compelling in the Portuguese composer’s setting of the opening to St John’s Gospel where the rich polyphonic texture and declamatory assurance stripped away the tawdry tat that clutters the astonishing lesson behind the Christmas miracle.
Clive O’Connell/Courtesy of The Age

Remembering Henry, Prince of Wales (2012)

Saturday 8 September at 5.30 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 3

Henry, Prince of Wales, was the elder son of James I and Anne of Denmark. His death at the age of eighteen from typhoid fever on 6 November 1612 was bewailed throughout England — and was, with the eventual succession to the throne of his inept brother Charles I, to change the course of English history. The general outpouring of grief for Hally (as Henry was affectionately known) was taken up in numerous songs, anthems and motets, many of which draw on the biblical texts of David’s laments for Absalom and Jonathan. This program remembers Henry in spoken word, songs for solo voice with instrumental accompaniment, and choral items.

Featuring Heleng Gagliano (soprano) and Rodney Hall (reader)

Please note the earlier start time of 5.30pm for concerts during the colder months.

PROGRAM
Voice & harpsichord: Thomas Campion All looks be pale
Reader:
George Chapman, An Epicede, or Funerall Song (excerpt)
Choir:
Thomas Tomkins Know you not (“Prince Henry, his Funerall Anthem”)
Reader:
Sir Simonds D’Ewes Autobiography (excerpt)
Voice & harpsichord:
William Byrd, Fair Britain Isle
Reader:
Geoffrey Goodman, The Court of James the First (excerpt)
Voice & harpsichord:
Orlando Gibbons, Nay, let me weep
Reader:
Sir John Holles, member of Prince Henry’s household, Letter to Lord Gray (excerpt)
Choir:
Richard Dering, Contristatus est Rex David
Richard Dering, And the king was moved
John Milton O woe is me for thee
Thomas Tomkins When David heard that Absalom was slain
Thomas Tomkins Then David mourned
Thomas Weelkes, O Jonathan
Thomas Weelkes, When David Heard
Reader:
Thomas Campion, An Elegy upon the Untimely Death of Prince Henry
Voice & harpsichord:
John Coprario Songs of Mourning: Bewailing the untimely death of Prince Henry (words by Thomas Campion)
1: To the most sacred King James
2: To the most sacred Queene ANne
3: To the most High and Mighty Prince Charles
4: To the most princely and vertuous the Lady Elizabeth
5: To the most illustrious and mighty Fredericke the fijt, Count Palatine of the Rhein
6: To the most disconsolate Great Brittaine
7: To the World
Reader:
William Drummond of Hawthorndean, Tears on the Death of Moeliades (penultimate sonnet)
Choir:
John Ward No object dearer
Reader: William Drummond of Hawthornden, Tears on the Death of Moeliades (final sonnet)
Choir: John Ward Weep forth your tears and do lament

Purchase tickets to this concert.

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Kristy Biber
Maria Pisani
Claerwen Jones
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim van Nooten
Vaughan McAlley
Matthew Thomson 

 

Bass
Kieran Rowe
Andrew Murray
Alistair Clark

 

Haydn & Mozart (2012): Haydn Harmoniemesse

Saturday, 9 June 2012, 8.30pm
Sunday, 10 June 2012, 8.30pm
St Ambrose Church, Woodend

Woodend Winter Arts Festival

PROGRAM

Wolfgang Amadeus Mozart Exsultate Jubilate
Joseph Haydn Harmoniemesse

SOPRANO ALTOS TENOR BASS
Deborah Summerbell Belinda Wong Peter Campbell Kieran Rowe
Carol Veldhoven Yi Wen Chin Tim van Nooten Andrew Murray
Katherine Norman Yi Yun Chin Vaughan McAlley Alistair Clark
Fiona Seers Niki Ebacioni Stuart Tennant Tim Daly
Maria Pisani Leonie Tonkin Matthew Thomson Thomas Bland
Claerwen Jones Kathryn Pisani Thomas Bell
Sarah Harris

SOLOISTS
Siobhàn Stagg, soprano
Lotte Betts-Dean, alto
Robert Macfarlane, tenor
Michael Leighton Jones, bass

 

Accademia Arcadia with Osmosis Wind Quintet – conducted by John O’Donnell.

Violin 1 Viola Oboe French Horn
Davide Monti Christian Read Ofer Frenkel Bart Aerbeydt
Briar Goessi Heather Lloyd Adam Masters Tobin Frost
John Quaine Cello Clarinet Trumpet
Chris Ruiter Rosanne Hunt Nichole van Bruggen Tristram Williams
Violin 2 Edwina Cordingley Ashley Sutherland Tristan Rebien
Lucinda Moon Violone Bassoon
Meredith Thomas Ruth Wilkinson Benny Aghassi Timpani
Jen Kirsner Flute Peter Moore Arwen Johnston
Felicite Heine Kate Clark Organ: Jacqueline Ogeil

The Sistine Chapel Ceiling (2012)

Saturday 19 May 2012 at 5.30 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 3

Michelangelo, reluctant painter of the Sistine Chapel ceiling, completed the four-year task in 1512. The Chapel was first opened to the public on 1 November (All Saints’ Day) the same year. What music was performed on that occasion is not known for certain; but Josquin’s Missa Gaudeamus is based on the Introit for All Saints’ Day, and the Mass was copied into the Sistine Chapel choirbooks shortly before that time, making it a prime suspect. The motets that make up the remainder of this program were also copied into the choirbooks shortly before or during 1512, so at the very least these works were in the choir’s repertoire at this time, allowing our imaginations to synchronise sight and sound.

Please note the earlier start time of 5.30pm for concerts during the colder months.

PROGRAM
Antoine Brumel Laudate Dominum in caelis
Jacob Obrecht Laudemus nunc
Johannes Prioris In principio erat Verbum
Loyset Compère Ad honorem tuum Christe
Josquin Desprez Liber generationes Jesu
Josquin Desprez Salve Regina
Josquin Desprez Missa Gaudeamus

Purchase tickets to this concert.

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Maria Pisani
Kirsty Biber
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Matthew Thomson
Vaughan McAlley 

 

Bass
Kieran Rowe
Andrew Murray
Philip Nicholls
Alistair Clark

 

Barock Passionmusik (2012)

Saturday 24 March at 8 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 2

With guest soloists Daniel Thomson (Evangelist) and Jerzy Kozlowski (Jesus)

St John’s account of the Passion of Christ is recited throughout most of the Western Church on Good Friday. Musical settings abound, from Gregorian chant to Arvo Pärt’s Passio of 1982. This program presents two of the finest German Baroque settings before Bach’s great Johannes-Passion. Demantius (1631) sets the Gospel as a large six-voice motet in three sections. Apart from introductory and concluding sentences, the text is entirely that presented in St John’s Gospel. Schütz (1666) also frames his biblical narrative with introduction and conclusion — the latter a setting of a stanza of the chorale ‘Christus, der uns selig macht,’ with which we open the program in a double-choir setting by Praetorius — but employs solo recitative for the Evangelist and individual characters, and four-voice choir for the interjections of the crowds.

PROGRAM
Praetorius Christus, der uns selig macht
Christoph Demantius Passion nach dem Evangelisten Johannes
Heinrich Schütz Historia des Leidens und Sterbens unser Herrn und Heilandes Jesu Christi nach dem Evangelisten St. Johannes

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Fiona Seers
Maria Pisani
Claerwen Jones
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim Van Nooten
Vaughan McAlley
Stuart Tennant
Bass
Andrew Murray
Tim Daly
Alistair Clark

Commemorating Gabrieli & Haßler (2012)

Saturday 18 February at 8 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 1

This program commemorates two outstanding Late Renaissance composers whose lives encroached on the early years of the Baroque. The two were friends and, for a period of some eighteen months, fellow students of Giovanni’s uncle Andrea Gabrieli. The two collaborated in the composition of at least one piece, while they currently share the attribution of another. Organ works by both composers will supplement the choral program listed here, and an ensemble of Renaissance brass, strings and organ joins us for this commemoration.

PROGRAM
Giovanni Gabrieli In ecclesiis
Giovanni Gabrieli Jubilate Deo
Giovanni Gabrieli Deus, qui beati Marcum
Giovanni Gabrieli O Domine Jesu Christe
Giovanni Gabrieli Deus, Deus meus
Giovanni Gabrieli O magnum mysterium
Giovanni Gabrieli Hodie completi sunt
Giovanni Gabrieli Magnificat a 8
Hans Leo Haßler Dixit Maria
Hans Leo Haßler Miserere mei, Deus
Hans Leo Haßler Missa Octava a 8

Danny Lucin, cornetto
Briar Goessi, violino
Ruth Wilkinson, flauto & viola da gamba
Julian Bain, trombone
Bob Collins, trombone
Glenn Bardwell, trombone
John O’Donnell, organo

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Maria Pisani
Claerwen Jones
Kathryn Pisani
Alto
Belinda Wong
Yi Wen Chin
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim Van Nooten
Vaughan McAlley
Matthew Thomson
Bass
Kieran Rowe
Andrew Murray
Alistair Clark

Christmas Carols in the Garden (2011)

Saturday 17 December at 5 pm
Duneira, Officer Avenue, Mt Macedon

Back by popular demand, Melbourne’s outstanding chamber choir, Ensemble Gombert conducted by John O’Donnell, will present another varied program of Christmas carols. To match the setting there will be more carols about flowers, trees and gardens, along with some lesser-known carols old and new, set amidst a selection of the usual favourites.

PROGRAM

Assorted Advent and Christmas carols

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Claerwen Jones
Maria Pisani
Kathryn Pisani
Alto
Belinda Wong
Jennifer Mathers
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim van Nooten
Stuart Tennant
Bass
Kieran Rowe
Andrew Murray
Samuel Allchurch
Alistair Clark

Christmas to Candlemas (2011)

Saturday, 10 December 2011 at 8 pm
Xavier College Chapel, Barkers Rd, Kew

Subscription Concert 4
A French Baroque Christmas

Our annual Christmas to Candlemas visits to Louis XIV’s France this year, though the prolific Antoine Charpentier, whose music we feature, was never employed by the court. The Messe de Minuit pour Noël (Midnight Mass for Christmas) has become such a favourite in our time that it is surprising to learn that it was first published in 1962. Ensemble Gombert is joined by the instrumentalists of Accademia Arcadia for this French Baroque Christmas celebration.

PROGRAM

Antoine Charpentier  In nativitatem Domini canticum: Quem vidistis pastores? (H.314)
Antoine Charpentier In nativitatem Domini canticum: Usquequo avertis faciem tuam Domine (H.416)
Antoine Charpentier Messe de Minuit pour Noël (H.9)
Kyrie – Gloria – Credo – Offertoire: Laissez paître vos bêtes – Sanctus – Agnus Dei

SINGERS

Soprano
Deborah Summerbell
Carol Veldhoven
Katherine Norman
Fiona Seers
Maria Pisani
Kathryn Pisani
Alto
Belinda Wong
Jenny Mathers
Niki Ebacioni
Rebecca Woods
Tenor
Peter Campbell
Tim van Nooten
Vaughan McAlley
Stuart Tennent
Bass
Andrew Murray
Samuel Allchurch
Alistair Clark
Kieran Rowe


ACCADEMIA ARCADIA

Lucina Moon, Violin 1
Chris Ruiter, Violin 2
John Quaine, Viola
Ruth Wilkinson, Viola da gamba
Greg Dikmans, Flute 1
Alison Catanach, Flute 2
John O’Donnell, Organ