Saturday, 13 December 2008, 8 pm
Xavier College Chape, Barkers Road, Kew
Subscription Concert 5
This is not the celebrated Monteverdi Vespers of 1610, but a selection of vespers music from his large 1640 compilation. While the earlier collection is often associated with St Mark’s, Venice, it was actually composed in Mantua, before Monteverdi’s Venetian years. The music of the 1640 publication, however, is true Venetian music, perhaps composed over a period of a quarter of a century, yet all of these pieces demonstrate Monteverdi’s undiminished creative powers.
PROGRAM
Monteverdi’s Christmas Vespers (from his 1640 publication)
Claudio Monteverdi Versiculus et responsorium
Paulo Quagliati [organ] Toccata dell’ottavo tuono
Claudio Monteverdi Dixit Dominus
Andrea Gabrieli [organ] Intonatione del secundo tono
Claudio Monteverdi Confitebor
Andrea Gabrieli [organ] Intonatione del quinto tono
Claudio Monteverdi Beatus vir
Andrea Gabrieli [organ] Intonatione del ottavo tono
Claudio Monteverdi Laudate pueri
Andrea Gabrieli [organ] Intonatione del settimo tono
Claudio Monteverdi Laudate Dominum omnes gentes
Paulo Quagliati [organ] Canzona
Claudio Monteverdi Christe, Redemptor omnium
Andrea Gabrieli [organ] Intonatione del primo tono
Claudio Monteverdi Magnificat primi toni
| SOPRANO | ALTO | TENOR | BASS |
| Deborah Summerbell | Jennifer Mathers | Peter Campbell | Kieran Rowe |
| Carol Veldhoven | Belinda Wong | Tim Van Nooten | Tom Henry |
| Fiona Seers | Niki Ebacioni | Daniel Thomson | Chris Potter |
| Kathryn Pisani | Jenny George | Matthew Thomson | Tim Daly |
| Maria Pisani | |||
| Claerwen Jones |
Instrumental ensemble
John O’Donnell – chamber organ
REVIEW
Monday, 15 December 2008, The Age [Melbourne], page 16.
Spirit soars in simple hymn of repemption
Clive O’Connell
FOLLOWING a pattern set in last year’s Christmas-to-Candlemas recital, the Ensemble Gombert presented
interleaving Venetian works: psalm-settings, a hymn and Magnificat from Monteverdi’s so-called Christmas
Vespers, interspersed with organ intonations and toccatas by Andrea Gabrieli and Quagliati supplied by the
conductor John O’Donnell.
Pairs of violins and bass viols, one violone, a sackbut and Samantha Cohen’s theorbo supplied a solid
instrumental support for the voices that offered added interest.
The tenor line now enjoys two more high-flying voices in Daniel and Matthew Thomson, while Peter
Campbell’s stalwart efforts have a worthy foil in Tim van Nooten whose timbre has broadened in colour and
confidence. A similar invigorating experience emerged hearing sopranos Fiona Seers and Claerwen Jones
take on heavy responsibilities, notably in the Magnificat.
But the evening’s surprise came through a simple hymn, Christe, redemptor omnium. No clever detail here;
just a shapely melody treated with sensitivity and a crisp sparkle, spot-on for this season’s celebrations.
Clive O’Connell/Courtesy of The Age